Dr. Elizabeth MacIsaac
MacIsaac’s mission with all groups she directs is to build community: both within the ensemble and in outreach to youth and audience alike.
Elizabeth is the founder and Artistic Director of Ensemble Laude. Dr. Elizabeth MacIsaac has directed choirs of all ages in Canada, France and the United States.
MacIsaac lived in Europe for many years, studying, performing and teaching music. Upon her return to Canada, MacIsaac joined the faculty of the Victoria Conservatory of Music in British Columbia. Artistic Director since 1999 of the Canadian women’s choir Ensemble Laude, the ensemble has garnered many awards at competitions held across Canada. The auditioned ensemble blends seasoned soloists with amateur vocalists and is inclusive of women of all ages and skill levels.
Dr. MacIsaac recently completed her Doctorate of Musical Arts at the University of Washington in Seattle (2018), graduating summa cum laude. Deeply involved in both the local and international choral communities, she has traveled widely to lead vocal clinics and choral workshops. This past year, MacIsaac taught choral pedagogy at the University of Victoria and traveled to the Choralies Festival in Vaison-la-Romaine to conduct several of her choral arrangements. Recently, MacIsaac presented and performed her dissertation transcriptions of motets from the Ursuline Archives of Quebec with noted Canadian soprano Suzie LeBlanc for the Orford Chamber Music Festival, Quebec, and at the Ursuline monastery of origin in Quebec City. MacIsaac’s dissertation research re-discovered lost and historically significant choral Baroque repertoire recognized to be Canada’s first Baroque polyphony. MacIsaac has presented papers, conducted choirs and performed as soloist across the globe (Wales, France, Hungary, England, Ireland, Germany, the USA and Newfoundland). Amongst several awards for her choral work and research, MacIsaac has received two distinctions from the BC Choral Federation: most recently the Amy Ferguson Award (2017) for outstanding choral direction fostering excellence in superior vocal practice.
During this season of suspended choral activity, MacIsaac is finding quiet time to delve deeply into the creative process, renewing the inspired programming that she is known for, curating meaningful programmes for the ensemble to sing when we next gather again, safely.
Photo Credits: Ute Muller © 2013; Ian Bullen 2019